Throughout many centuries, the discussion about architecture has focused mainly on visual aspects. People admire buildings because of their tall exterior walls and complex ornamentation and the way sunlight interacts with shadows. A complete architectural experience beyond visual elements requires a holistic approach that engages all human senses. The complete range of human senses unites through tactile olfactory and acoustic elements to develop environments that create deep visceral connections. Architects who extend their focus beyond visual elements can design spaces that engage multiple senses simultaneously which results in more significant and meaningful interactions with built environments.

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The Symphony of Space: Engaging All Senses in the Built Environment._© https://www.we-heart.com

The Language of Touch: Tactility in Architectural Design

The tactile quality of architecture stands as a vital component that shapes our perception and interaction with built environments although people commonly ignore it. Our brains receive strong sensory data from touching different surfaces including marble’s cool smoothness and exposed brick’s rough texture and polished wood’s warmth. Our understanding of materiality and scale and emotional response to space receives substantial influence from tactile experiences.

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Feeling the Form: Architecture That Invites Touch and Interaction._© https://architecturemagazine.co.uk/2018/12/18/tactile-experience-surface-design-show-2019/

The strategic implementation of various textures throughout a building structure should be considered. A stone wall with rough texture in a foyer creates a historical impression while metal handrails with smooth surfaces deliver a modern aesthetic appeal. The residential design achieves comfort through carpets that provide softness underfoot and wooden countertops with their gentle texture. Architect Peter Zumthor skillfully incorporates tactile elements by choosing materials and finishes that stimulate touch as much as visual perception. The Therme Vals spa by Peter Zumthor features stone surfaces with different textures and temperatures which produce a sensory experience that transcends visual appeal. Tactile considerations reach further than material selection alone. The way light interacts with textured surfaces produces additional sensory depth through its creation of shadow and highlight variations. The design of door handles and comfortable banister grips and well-crafted latches with subtle resistance work together to create an intuitive user experience. Spaces that disregard tactile elements tend to become sterile and impersonal because they lack the warmth that results from thoughtful consideration of physical interactions with built environments.

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Beyond Sight at Therme Vals: A Testament to Architecture That Engages Touch and Sound._ © Fernando Guerra

The Unseen Atmosphere: Olfactory Design in Architecture

The architectural field tends to overlook the sense of smell which holds remarkable power to recall memories and affect emotions while transforming our perception of environments. The olfactory elements of architecture create deep effects on our well-being and our connection to place even though we do not think about them as much as visual or tactile aspects.

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The Art of Aroma: An Olfactory Installation at the Musée du Parfum._ © https://www.etsionsepromenait.com/blog/2017/2/24/le-grand-musee-du-parfum

The smells of a location used to emerge naturally from its operational needs and construction materials through fireplace smoke and timber earthiness and workshop metallic odors. Modern architects now understand the design potential of intentional olfactory design. The selection of natural materials with pleasant aromas such as cedar and bamboo combined with landscaping that brings flower and foliage scents represents intentional olfactory design.

Architects currently investigate straightforward methods to shape the olfactory environment. Integrating ventilation systems with natural scent introduction and essential oil diffusion allows architects to create specific moods through carefully selected scents. The spa environment benefits from lavender’s calming scent while the workspace receives invigorating citrus aromas. The correct integration of carefully selected olfactory elements produces better results than overt artificial scents because it creates a more pleasant sensory experience in buildings.

Design benefits from the strategic use of imperceptible odors as a powerful tool. A neutral scent that is clean creates a feeling of spaciousness and purity which is often desired in health-care or gallery spaces. The architectural experience gains an invisible layer of richness and complexity through olfactory design when it is carefully considered because it profoundly affects our emotions and memories.

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More Than Meets the Eye: The Subtle Influence of Scent in Architecture._ © https://www.etsionsepromenait.com/blog/2017/2/24/le-grand-musee-du-parfum

The Symphony of Space: Acoustic Elements in Architecture

Acoustic environments within buildings represent a vital sensory element that receives less attention than visual aspects. The behavior of sound inside a space directly affects our comfort levels, productivity and general well-being. A space with inadequate acoustic design will generate distractions and stress while creating health issues but proper acoustic planning enables the creation of environments that match specific needs through their acoustic characteristics.

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Beyond the Walls: Discovering the Auditory Architecture of the Space._© http://www.everydaylistening.com/articles/2009/10/4/the-manual-project.html

The acoustic design of buildings requires architects to evaluate three essential factors which include sound transmission between rooms and reverberation control and unwanted noise management. The selection of materials determines how well a space will perform acoustically. Acoustic panels made of fabric together with soft porous materials absorb sound waves which reduces echo and reverberation but glass and concrete surfaces reflect sound waves to produce noisy and uncomfortable environments. A space’s acoustic properties depend heavily on its volume and shape. Concert halls receive precise architectural attention to achieve maximum sound clarity which reaches all audience members. The acoustic requirements of libraries and offices demand specific acoustic treatments that both reduce distractions and protect speech privacy. A positive acoustic environment develops through the strategic placement of sound barriers and sound masking systems and proper ventilation system design. Acoustic design elements create both functional benefits and emotional and aesthetic experiences in built environments. The soft sounds of water features produce peaceful moods but marketplaces achieve their energetic character through the loud conversations between people. Architects now understand sound as a design tool that they use to create sonic environments that improve sensory experiences in their buildings.

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Crafting Sound: The Acoustic Design of the Qatar Opera House._ © http://www.everydaylistening.com/articles/2009/10/4/the-manual-project.html

Towards a Multi-Sensory Architecture

The dominance of visual elements in architectural design should be transcended to enable architects to create richer spaces that engage users more deeply and result in human-centered environments. Architects who thoughtfully combine tactile and olfactory and acoustic elements can create environments that engage all senses to foster meaningful connections between people and their surroundings. The multi-sensory approach recognizes human perception complexity by developing buildings that deliver both visual appeal and sensory satisfaction through touch and smell and auditory experience. The advancement of our knowledge about human experiences in built environments will lead to more meaningful spaces through holistic multi-sensory architectural approaches.

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A Holistic Architecture: Where Every Sense Contributes to the Experience._ © https://www.yourlittleblackbook.me/nl/11-x-musea-met-de-mooiste-infinity-rooms/

References:

  1. Spence, Charles. “Senses of Place: Architectural Design for the Multisensory Mind.” Cognitive Research: Principles and Implications, vol. 5, no. 1, 18 Sept. 2020, https://doi.org/10.1186/s41235-020-00243-4.
  2. Squire, Olivia. “Unlocking the Secrets: How to Design for the Senses beyond the Traditional Five — WXO.” WXO, 24 July 2024, worldxo.org/unlocking-the-secrets-how-to-design-for-the-senses-beyond-the-traditional-five/. Accessed 7 May 2025.
  3. Architects, Walker. “The Power of Sound: How Acoustics Influence Architectural Design – Walker Architects.” Walker Architects, 17 Sept. 2024, walker-arch.com/acoustics.
  4. Frearson, Amy. “Peter Zumthor’s Therme Vals Spa Photographed by Fernando Guerra.” Dezeen, Dezeen, 25 Sept. 2016, www.dezeen.com/2016/09/25/peter-zumthor-therme-vals-spa-baths-photography-fernando-guerra/.
  5. Ghisleni, Camilla. “Architecture and Memory: The Sense of Smell and Recollection.” ArchDaily, 14 June 2023, www.archdaily.com/1002102/architecture-and-memory-the-sense-of-smell-and-recollection.
  6. Hamer, Ashley. “Here’s Why Smells Trigger Such Vivid Memories.” Discovery, 1 Aug. 2019, www.discovery.com/science/Why-Smells-Trigger-Such-Vivid-Memories.
  7. Johnston, Charrisse. “Neuropsychology of Space: Designing Environments for Emotional Well-Be.” Asid.org, American Society of Interior Designers, 2024, www.asid.org/news/the-neuropsychology-of-space-designing-environments-for-emotional-well-being.
  8. Lee, Annie. “The Rising Importance of Acoustics in Interior Design | ENV Team.” ENV Team, Mar. 2025, env-team.com/insights/the-rising-importance-of-acoustics-in-interior-design/. Accessed 6 May 2025.
  9. “Light, Shadow, and Form | Intro to Visual Thinking Class Notes | Fiveable.” Fiveable, 2018, library.fiveable.me/introduction-to-visual-thinking/unit-4/light-shadow-form/study-guide/1oYMiv98oqZOJoyb. Accessed 6 May 2025.
Author

A multifaceted individual with a background in Architecture and Psychology, Pranshi possesses a keen interest in human behavior and the built environment. Having lived in diverse cities, she enjoys exploring different cultures and embracing new experiences.