The digital revolution in studying and capturing the historical arts and architecture can answer questions and curiosities associated with design philosophies, elements, and architectural principles. It enabled architects to know the “Why”.  Why the order of columns? Why marble? Why bamboo structure and Cultural Revolution in design? And due to the digital revolution, historians and researchers can capture intricate details of architecture. Historical architecture is a subject of utter importance in understanding design principles and urban strategies. However, where the digital recording of critical structures and design elements provided relief, it is unable to capture the philosophical and emotional advancements. There are efficient digital tools that are conveniently changing the dialogues of professionals with architectural structures and arts. These are 3D modeling, Restoration using Artificial intelligence (AI), NFT-based conservations and Virtual reality tours that impacted the restoration, dialogue development and experience we had with the historic architecture. Though advanced tools can aid in capturing details, the question remains of its authenticity towards physical structure and capturing true values and cultural facts a structure dearly holds. Meddling with intricate details and diverse cultural sensitivities can threaten the true narrative of architectural history. This article will examine the combination of technology and the arts and its impact on reshaping architectural history.

Converge of Digital Transformation and Historical Architecture

Albertian Digital Experiment 1409

Mario Carpo’s book Alphabet and Algorithm discusses a timeline and details of digital transformation in arts and architecture. As debated, it is a process developed in the 1990s on the invention of CAD/CAM design integration. In contrast, it dates back to 1409. It is supported by the theories of Leon Battista Albert, a Renaissance theorist, who developed a process of architectural notations which is to be followed faithfully by the builders in the architect’s absence. The Notations were developed in counteraction to Brunelleschi’s reaction towards workers on the Santa Maria Dome, where he didn’t provide a work schedule and drawings to laborers and wanted to maintain the architect’s dominance over the building site. This seemed problematic to Albert, as it would make an architect stuck to his single site for the entire day. Hence, Tempio malatestiano was the Albertian experiment result, and notations were utilised successfully in his church design. The Notations aid in maintaining the identity of the architect’s narrative and also help in translating it by laborers and builders. So, to preserve identity and freedom to overlook other projects, CAD/CAM designs are not the first step towards the transformation, but they started in the 15th century.

Digital Art: A Tool for Translating Architectural Interpretation

Digital tools such as Grasshopper, Blender, and Unreal Engine are termed Parametric Tools. Artists and architects use them to reinterpret historical architectural styles into contemporary designs. An evident case in point is Zaha Hadid Architects. Zaha Hadid Studio uses historical aesthetics to generate contemporary structures. They have integrated Islamic and Baroque geometric elements into modern designs. Likewise, the team Lab collective has adopted a similar approach. They translated the historical and cultural sites into creative projections using animated artwork. Both examples stated converting architectural history into contemporary digital designs, a famous approach towards structure development. 

NFTs and Block chains provide a new dimension in preserving cultural sites and architectural history. Organisations through NFTs and block chains are tokening the digital reconstruction of historical sites by maintaining authenticity and ownership. This tool aided in raising funds for the preservation process. The Eternal Versailles project used NFTs. This project protected the digital records of the Palace of Versailles, and digital shares are owned by people who invested in the project. It allows the investors to own and fund digital reconstruction processes and assets of heritage sites, thus providing a thought-provoking and innovative approach to protecting historical architecture.

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The perspective angle of church which as designed using notations from its designer Leon Battista Albert_©https://www.iluoghidelsilenzio.it/tempio-malatestiano-rimini-rn
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Ornamented Facade design, with recessed entrance to the church_©https://www.iluoghidelsilenzio.it/tempio-malatestiano-rimini-rn

Digital Transformation and Historical Architecture

Reconstruction of the Past using 3D Scanning and Photogrammetry

3D Scanning and Photogrammetry are advanced tools for analysing and reconstructing heritage sites and structures. These tools in architectural conservation aided in developing detailed drawings, digital models, and technical details of historical monuments, allowing authentic documentation and reconstruction. A remarkable and renowned example of using these tools was in the Notre Dame Cathedral restoration project. The Digital scans recorded and restored by art historian Andrew Tallon helped in detailed drawings and the restoration process of the Cathedral after the devastating fire of 2019.  Andrew Tallon’s efforts paid off as his digital restoration of details made it possible to work on the reconstruction of Notre Dame Cathedral. 

Similarly, UNESCO initiated the process of 3D modeling and restoration of war-torn sites like Palmyra in Syria. This is done for digital restoration to its best initial condition and provides invaluable information for rebuilding efforts.  A 3D model of the Triumph Arch was reconstructed and displayed in front of the London Museum, New york and other cities to show the authenticity of a 3D process as it was unable to capture true details of the Triumph Arch of Palmyra and promote the fact of non-resilience with Syrian culture and its people. 

Architectural Conservation with Machine Learning and Artificial Intelligence

Artificial Intelligence possesses a remarkable ability to analyse and process the intricate details of historical buildings and heritage sites. This analysis aids in gathering historical data, including information about missing architectural elements, which supports the redevelopment of heritage buildings while maintaining accuracy and authenticity. AI tools employ deep learning algorithms that efficiently process blueprints, photographs, and documentation of historical buildings. This processing facilitates the creation of constructions that resonate more deeply with the true culture and lost details of historical buildings.

For instance, the 3D model of the Arch of Triumph exhibited in the London Museum and New York was developed using the same approach, where historical photographs, evidence, and drawings were combined with contemporary shreds of data after the destruction caused by both the military and militia groups to the sensitive and intricate details of Syrian heritage. When the images were combined with a digital design model, the reconstruction of the Arch seemed possible. DALL-E and Midjourney are used to analyse the standards of these buildings, imagining missing architectural elements and restoring lost details based on the current stylistic evaluation.

Storytelling via Virtual and Augmented Reality

Technologies such as virtual reality and augmented reality have transformed how individuals perceive reality. Renowned museums, including the British Museum and the Louvre, have integrated this era to offer breathtaking reports for their art enthusiasts. But how does it work? These institutions create immersive experiences by offering virtual tours, which enable people to explore historical buildings, cities, and cultural sites from a distance. 

Another extraordinary example is the Roman Reborn Project, where the architecture and construction of Ancient Rome were developed in intricate detail using VR technology. AR applications are employed to overlay the ruins of heritage sites, thanks to the coordination and charitable efforts of museums such as the British Museum and the Louvre. The missing elements of these ruins are digitally reconstructed to portray the overall image of the historic buildings or cultural spaces, providing breathtaking views for visitors and art historians alike. These tools and their outcomes provide insight into the original grandeur, serving not only to preserve but also to connect with people’s emotions about past cultures and heritage.

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©Figure : The image showing the scene where one can experience a complete change of scenario while without been traveling anywhere. Image is extracted from https://www.furthermore.co.uk/insights/immersive-storytelling

Human Emotions and their Devotions towards AI

When digital replicas of historical architecture are created, questions about cultural identity and authenticity emerge. These inquiries include: Was the digital modeling and restoration process able to capture the true essence of the heritage site? Can it provide a tangible or physical experience, or is it merely an approximation? The debate around these issues, however, remains unresolved.

Architects and historians favour a sensory experience in architecture, as articulated in the theories of Juhani Pallasmaa, an architectural theorist who emphasises human perceptions and engagement with materials, textures, and spaces. He firmly believed, alongside many architects, that regardless of how accurate digital renderings may be, they often fail to capture the emotional essence and tactile experiences associated with historical structures. Conversely, digital technologists hold a different perspective. In their view, this has democratised access to history, not restricting it to specific groups or professionals. Since many individuals around the globe cannot visit the Pantheon or Machu Picchu, in such cases, VR and digital models allow them to experience these sites effortlessly while appreciating intricate details. 

When it comes to the sense of community-related to cultural identity, Venice serves as a prime example of how digital models and replicas can play a crucial role in preserving damaged frescoes and statues. In Venice, restoration efforts have utilised digital technology to create replicas that replace the original artwork. This approach enables individuals to connect with their cultural identity while safeguarding the integrity of the original pieces. One lingering question remains: can traditional craftsmanship be replaced by digital art, and would these replicas effectively capture the essence of the original masterpieces? I welcome your suggestions, too.

The digital transformation in arts and architecture has revolutionized individuals’ experiences. Advanced technology and technical devices interpret the concepts and execution processes of preservation, restoration, and the completion of lost elements. Technologies such as 3D scanning, AI, VR, and NFTs offer a fresh and modern perspective on conservation; however, traditional notions like authenticity and cultural identity are challenged as technology struggles to capture the intricate details of original works. 

The way forward for architects, artists, and historians is a balance between technological innovations and cultural sensitivity. Digital tools must enhance the intricate and significant values of cultural sites rather than substituting them with mediocre practices. The future relies on the balanced and harmonious co-existence of physical sites with digital tools, enhancing the individual’s experience and providing the groundwork for conservation to professionals.

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Juhani Pallasmaa on Writing, Teaching and Phenomenology. He firmly believed in preserving the physical integrity of Architectural structures rather than white washing it tools like AI and VR_©https://www.archdaily.com/776761/
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Figure : Sami Lapp Museum,Inari, Lappland, 1998, Image by Rauno Traskelin. The image is extracted from https://www.archdaily.com/776761/juhani-pallasmaa-on-writing-teaching-and-becoming-a-phenomenologist/563e0b9ce58ecea9eb00000a-juhani-pallasmaa-on-writing-teac

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Aureli, P.V. (2011). Reading the digital revolution – The Architectural Review. [online] The Architectural Review. Available at: https://www.architectural-review.com/essays/books/reading-the-digital-revolution [Accessed 2 Feb. 2025].

DARKE, D. (2024). ISLAMESQUE. Hurst & Company.

Darke, D. (2018). The merchant of Syria: a history of survival. New York, NY: Oxford University Press.

Darke, D. (2020). Stealing from the Saracens. Oxford University Press.

https://www.iluoghidelsilenzio.it/author/iluoghidelsilenzio (2016). Tempio malatestiano – Rimini (RN). [online] Iluoghidelsilenzio.it. Available at: https://www.iluoghidelsilenzio.it/tempio-malatestiano-rimini-rn/ [Accessed 3 Feb. 2025].

mariocarpo.com. (n.d.). A Very Short History of the Digital Turn in Architecture | Mario Carpo. [online] Available at: https://mariocarpo.com/essays/a-very-short-story-of-the-digital-turn-in-architecture.

smarthistory.org. (n.d.). Palmyra: the modern destruction of an ancient city – Smarthistory. [online] Available at: https://smarthistory.org/palmyra-arches/.

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