Through the medium of poetry, we come to understand our human nature, just as architecture serves as a means of expression for design. The latter conveys the sentiments of the former but does so using a universal language of emotions.
Project Name: The House of Tranquil Rooms
Studio Name: Craft Narrative
Architecture embodies inclusivity and encompasses elements of the environment, design, and the context of its inhabitants. It both establishes and blurs boundaries as required. Nestled in the rural village of Yavat, Maharashtra, lies The House of Tranquil Rooms, designed to accommodate a joint agricultural family comprising two brothers. This traditional courtyard dwelling draws inspiration from the natural, emotional, and physical boundaries while deriving its essence from the courtyard and the majestic mango tree. The whitewashed exteriors symbolize the simplicity of the client’s desires: a home that harmoniously accommodates family members and the cherished mango tree while fulfilling practical needs. Here, establishing precedence is challenging—whether it’s the families, the tree, or the house, each is an indispensable part of the other’s existence.
The house offers a picturesque view of the venerable mango tree, and as one explores its surroundings, it defines and blurs the lines between humanity and nature. Walking through the courtyard corridor paved with natural stone tiles, one might witness a sparrow in flight, manifesting a palpable inclusion of and respect for nature. Although the family resides under the same roof, the spaces are thoughtfully designed to facilitate various familial activities. Each member has a designated space—areas near the windows are carved out for reading, yoga practice, and contemplation of the farms. The children, on the other hand, relish the entire expanse of the house, from the entrance to the spacious terrace (gachchi) it boasts. Unquestionably, the favored spot for everyone in the house, at all times of the day, is close to the ancient mango tree. It connects them to their roots, providing shade, a sense of identity, and a plentiful supply of kairis (raw mangoes). The leaves of these botanical companions rustle in the same breeze that brings relief to the family members.
Much like human inclinations, the house gradually reveals itself, transitioning from single-height spaces tailored for each family’s use to double-height spaces that accommodate both families during meals in the dining room or discussions in the living room. The verandah extends a warm welcome to fellow villagers and calves alike. East-facing windows double as makeshift rooms, offering refuge to anyone in the house, fostering an intimate connection with the occupants. Reflecting the site’s context, the colors mirror traditional attire—whites represent the garments typically worn by men, while the house’s other colors celebrate the sarees of the women in the household. Memories of the children, the rituals of the men, and the laughter of the women constitute the decor of the house, complemented by a few hand-painted bullock cart wheels.
With abundant, picturesque views of verdant farms visible from every vantage point, the dwelling evokes a profound sense of tranquility and rootedness in village life, where people are humble, nature is benevolent, and lives remain uncomplicated. Such is The House of Tranquil Rooms, constructed to safeguard, nurture, and pay tribute to the traditional way of life in the village, enhanced by small yet meaningful architectural innovations.
