The definition of ‘luxury’ has come a long way from the times of antiquity to modernity. Additionally, the interpretations of ‘urban contemporary’ have been constantly evolving as consequential phenomena of iterations in engineering, materials, technology, processes and need.

Studio Name: Archohm Consults pvt. ltd.
Design Team: Aditi Sharma, Cheena Malik, Nikita Rathore, Sandeep
Site Area: 780 sqmt
Built up Area: 1503.22 sqmt
Start date: October 2012
Completion date: 2017
Location: Agra

Structural: Roark consults engineers
Mechanical: Abid hussain
Electrical: Archohm
Landscape: Topotek
HVAC: Abid hussain
Plumbing: Techno engineering consultants
PMC: Ar. Chandan Potdar
Façade: Archohm
Engineering: Archohm
Interior: Archohm
Photography Credits: Andre J. Fanthome, Studio Noughts and crosses

Dawar House, Agra By Archohm Consults pvt. ltd -Sheet6
©Andre J. Fanthome, Studio Noughts and crosses

The Dawar family has created its epynomous residence; one that redefines in many ways, the luxurious urban contemporary. The Dawar family too, the residents believe that luxury is conscious living;. The vision for this home has, in essence, revolved around creating a building also as a sanctuary, a receptacle for exemplary, extraordinary and exclusive objects in space. Each hand-picked object comes with the tag of having set a path-breaking benchmark in functionality, comfort and efficiency, form and aesthetics, craftsmanship and thus endows an enriching experience for the user; the arresting visual quotient is just a part of its aura.

Dawar House, Agra By Archohm Consults pvt. ltd -Sheet8
©Andre J. Fanthome, Studio Noughts and crosses

The design concept however is one that encourages a dialogue in which is made perceptibly visible, ‘a world of oxymorons’; for instance, ‘simply sophisticated’, ‘classically modern’, ‘collectively individual’, ‘lavishly austere’, ‘boldly understated’…the list goes on. The front facade is intentionally and largely blank; grey panels of Ivanka concrete panels defining the edge of the bigger plane are offset by the starkness of an equally blank corten steel plane in the front; together they communicate that luxury is the ultimate privacy;. The cuboidal mass of the block facing the front has however been designed to ‘look light’ by the staggering of planes and by being lit through corner slits of glass. Inside the house, the spatiality turns tables on the idea of seclusion and says ‘publically private’! The plan is essentially derived from the spontaneous protocol of relationships. Two blocks make for distinct spaces offering measure of individual ‘completeness’ for each of the generations, but simultaneously preferring to meet up in the interstitial volume- replete with lounges and interaction spaces and a bridge for ‘crossings’ The bridge, along with double volumes interspersed in the entire house and the expansive glass walls act as visual connectors allowing space to flow freely within the house and outdoors as well.

Dawar House, Agra By Archohm Consults pvt. ltd -Sheet9
©Andre J. Fanthome, Studio Noughts and crosses

With light streaming in from all sides and with views of the greens, the sense of openness is enhanced. While the basement is for the patriarch-for his office incorporating work space, a lavish bar experience coupled with a formal living and dining, the main floor houses a guest unit and the living spaces of the elders in one block while in the other are the entrance and elevator lobby, twin kitchens-one for regular use and the other-more an island that encourages the family’s occasional indulgence in gourmet cooking. On the floor above, the front block contains the master spaces while the other the kids’ zone.

Dawar House, Agra By Archohm Consults pvt. ltd -Sheet10
©Andre J. Fanthome, Studio Noughts and crosses

The floors above are once again integrated- as entertaining spaces with an open-air garden, a pool, a home theatre, a gym and gaming area and simply space for groups of people to relax and enjoy the ambience created by the building and the hosts. The ‘I’ shaped plan allows both the arms and the spine expansive internal views of a large open landscaped court on one side with a forty-feet, high, green wall and a water-body with a fire-place on it, and on the other side, a sunken ‘thicket-lookalike’ court. Last but perhaps just as importantly, it is nothing short of a luxury for a designer to get an opportunity to intervene and introduce this vast and hitherto largely unexplored world of contemporary global design to users in the Indian context.


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