The Albania’s Pavilion at the 2025 Venice Architecture Biennale, titled “Building Architecture Culture,” examines how the country’s architecture reflects political changes, cultural changes, and evolution. Each period leaves its mark on the cities and public spaces. Thus, the pavilion brings together these layers, framing architecture as a record of history and as a tool to shape civic identity.

The exhibition unfolds across three parts: past, present, and future.

Albania's Pavilion at the Venice Biennale Exploring Architecture, History, and Identity-Sheet1
Albanian Pavilion, 2025 Venice Biennale. Image by Andrea Avezzù with Courtesy of La Biennale di Venezia _©archdaily.com
Albania's Pavilion at the Venice Biennale Exploring Architecture, History, and Identity-Sheet2
Albanian Pavilion, 2025 Venice Biennale. Image by Andrea Avezzù with Courtesy of La Biennale di Venezia _©archdaily.com

Past: Historic Transformations

Two places in Tirana anchor the historical narrative. Skanderbeg Square, a stage for the state authority, was reshaped over time, more recently in 2017 by the Belgian office 51N4E. Its redesign turned the square into a pedestrian space using local materials and vegetation, changing its role from the political monument to the civic centre.

The Pyramid of Tirana, built in 1988 to honour former dictator Enver Hoxha, has been repurposed into a technology and learning centre for young people by MVRDV, preserving its concrete form while opening it to the public.

Present: The Albanian Calls

The second section introduces The Albanian Calls, a video essay by Anneke Abhelakh and Konstanty Konopinski. Blending archival footage with interviews from more than 30 architects working in Albania, it highlights the challenges of practice, the tension between public and private interests and the role of the profession in the formation of national identity.

Future: Stereoscopic Viewers

Albania's Pavilion at the Venice Biennale Exploring Architecture, History, and Identity-Sheet3
Albanian Pavilion, 2025 Venice Biennale. Image by Marina Rodrigues / OODA_©archdaily.com
Albania's Pavilion at the Venice Biennale Exploring Architecture, History, and Identity-Sheet4
Albanian Pavilion, 2025 Venice Biennale. Image by Marina Rodrigues / OODA_©archdaily.com

The final part shows proposals from 56 architecture offices, presented through stereoscopic viewers. Contributions include Álvaro Siza, Aires Mateus, Herzog & de Meuron, BIG, OMA, OODA, and MVRDV. These projects combine speculative urbanism with political awareness, imagining new possibilities for future cities in Albania.

Beyond the Exhibition

The pavilion also extends its conversations through podcasts and discussions, addressing topics such as freedom in post-dictatorial society and the roles of local and foreign architects.

Running until 23 November, the 2025 Venice Biennale features 65 national pavilions and more than 300 contributions from 750 participants worldwide.

By balancing historical reflection, contemporary practice and prospective ideas, the architecture of the Albanian Pavilion as a testament and agent of change in the country’s story of evolution.

References:

ArchDaily (2025) Albania Pavilion explores the intersections of architecture, history, and identity at the 2025 Venice Biennale. https://www.archdaily.com/1033065/albania-pavilion-explores-the-intersections-of-architecture-history-and-identity-at-the-2025-venice-biennale

Albania Pavilion 2025 (2025) Instagram page. Instagram. https://www.instagram.com/albanianpavilion2025/

Author

Peace Ogunjemilua is a creative of Yoruba descent, an architectural designer, and a CG artist whose work explores human connection, nature, and the quiet power of visuals. Blending writing with graphic artistry, he crafts narratives that communicate as clearly through visuals as through words.